‘Just shut up,’ whispered George with a flash of clenched teeth.

Finishing up the juice under her moules, Flora missed her mouth with the spoon and realized how drunk she was. She looked at George through her eyelashes. Why did they all think he was so attractive? He almost had a treble chin from so many sponsors’ dinners, and the big horn-rimmed spectacles emphasized the tired, belligerent eyes. He also had the restlessness of the emotionally involved elsewhere. For such a macho man, it must have been a terrible blow when his wife walked out.

Gwynneth was obviously thinking along the same lines. ‘D’you have a partner, Mr Hungerford?’

‘I’m separated,’ said George curtly. ‘Did you both try relationship counselling?’

‘I don’t hold with that sort of thing.’ George was fed up with being nice to her.

‘Don’t be so on the defensive,’ teased Gwynneth. ‘Even Gilbert and I are counselled every six months, a sort of spiritual MOT.’

Her mouth was watering again as a waiter flambéed her tournedos au foie gras on a side-table.

‘I am not a meat-eater normally, but “when in Rome”,’ Gwynneth smiled round as if she were making a colossal concession.

‘My mother went to a marriage-guidance counsellor,’ said Flora. ‘She said they were useless and had more problems than she did.’

Gwynneth ignored Flora, but persisted with George. ‘You want to get in touch with your feelings.’

Flora decided George needed rescuing. She must be drunk.

‘What I’d like to ask,’ she said to Gwynneth, ‘is why the London Met — yes, I read it in The Times — are allowed to push off for three months every summer, so their hall can be used for jazz, pop concerts, gospel, cajun music and other relative garbage, and you pay them a massive thirteen million a year, which is more than the RSO grant for the next forty years. Meanwhile we play all the year round except for a month in the summer. We travel fifty thousand miles in coaches, providing music for nine counties and we pay more back to the Government in VAT than you give us in rotten subsidy. So actually we’re a net earner.’

‘That’s enoof, Flora,’ said George who entirely agreed with her, but couldn’t be seen to support her in public.

‘I cannot reveal the reasons we give subsidies to other institutions,’ said Gwynneth primly.

‘Why not?’ demanded Flora. ‘You receive government money, therefore the public (and that’s me) has the right to know. Everyone needs rises down here.’

‘Hear, hear,’ agreed Jack, ignoring a glare from George and filling Flora’s glass. ‘Too much bloody fudgin’.’

Gwynneth’s little brown eyes were suddenly as dead and opaque as sheeps’ droppings, her furious face twitching.

‘I adore that top, Gwynnie,’ said Miles hastily. ‘You look marvellous in indigo.’

‘It comes from a planet-friendly range,’ said Gwynneth, looking most unfriendly towards Flora. ‘Even the buttons are biodegradable. I’ll give you their card for your partner.’

Marcus could feel Serena’s ankle rubbing against his leg like Scriabin, making him incapable of eating his Dover sole. He’d given eight piano lessons earlier in the day, he ought to practise for a couple of hours when he got home, but he’d do anything for a fat record contract, and Serena looked rather like Grace Kelly in High Society.

Across the table, Abby and Julian had hardly touched their food.

‘It was a wonderful concert,’ Julian was saying.

‘I’m really looking forward to conducting Winifred Trapp next week,’ said Abby.

‘Must have a slash,’ said Jack getting up.

‘As long as no-one slashes our grant any more,’ Flora shouted after him.

Relieved to see that Gwynneth was still nose to nose with Miles, George looked across at Flora.

‘Pleased with Julian?’

‘Oh yes,’ sighed Flora, ‘he’s given us such confidence, and he’s so approachable after Lionel. No problem’s too small for him, not even Gilbert’s organ.’

George shook his head. ‘You’re a minx.’

‘I’m a cunning little vixen.’

‘Your doggy bags, Mr Hungerford,’ the waiter put two foil-wrapped packets beside George’s plate.

‘You’ve got dogs?’ said Flora in surprise.

‘Three Rottweilers.’

‘Four, counting you,’ said Flora. ‘I like Rottweilers,’ she added, remembering wistfully how she used to romp with Rannaldini’s.

‘You haven’t eaten much,’ George glanced up at the pudding trolley rumbling towards them. ‘You better have an ice, kids like ices.’

Flora shook her head, her red hair splaying out like a marigold. ‘No, no, I don’t like anything that gets in touch with my fillings.’

Then George did smile, lifting his heavy face like a sudden shaft of sunlight on a limestone cliff.

‘Everyone’s having a ball,’ said Flora. ‘Thank you — it’s been a terrific evening.’

But she had reckoned without Gwynneth, whose ethnic crimson skirt was about to pop, and thick pepper-and-salt hair about to escape from its bun, as she washed down her final mouthful of tournedos au foie gras, with her fourth glass of Pouilly-Fumé.

‘You are driving, Gilbert.’

Gilbert looked livid, but his mouth was too crammed with monkfish to refuse.

Gwynneth then turned her shiny off-white face to George.

‘Isn’t it bizarre the way you hear a name for the first time and then hear it again and again. Miles has just mentioned Winifred Trapp. Did you know that Rannaldini has just recorded all Winifred Trapp’s Harp Concertos with American Bravo?’

There was a stunned, horrified pause.

‘Lovely shimmering music,’ went on Gwynneth, delighted at the consternation she had caused. ‘An advance copy arrived on my desk this morning. Although Rannaldini, or rather Sir Roberto, tells me he recorded it in Prague very cheaply, the quality is superb. I thought he’d lost his fire, after his last wife left him, but his new partner has regenerated him.’

Watching the colour drain out of Flora’s flushed, happy face, Miles wondered if she’d had anything to do with passing on the information.

‘Of course Rannaldini’s always been innovative,’ went on Gwynneth smugly. ‘And what is more, he and Dame Hermione have just recorded all Fanny Mendelssohn’s songs with Winifrid Trapp’s orchestration. Quite marvellous, don’t you agree, Gilbert?’

‘Indeed,’ said Gilbert, who was trying to scrape hollandaise sauce out of his straggly ginger beard. ‘I think if Fanny and Felix had lived, she would have been the more significant composer, although I agree with the Mendelssohn Society that had Felix lived he would have been greater than Richard Wagner.’

George’s face was limestone again.

‘When did Rannaldini record this?’ he asked bleakly.

‘In September,’ said Gwynneth, who was now leering at the pudding trolley. ‘That gateau does look tasty. They get these things out so quickly these days, but Rannaldini’ll want to give Winifred, it’s pronounced Vinifred actually, a real push, so I doubt if they’ll release it before January or February. Such a slap in the face for folk who say there are no great women composers.’

‘I knew nothing about this,’ said Julian, appalled.

‘Nor did I,’ said Serena Westwood grimly. American Bravo were Megagram’s biggest rivals.

Abby was frantically trying to work out how Rannaldini could have pre-empted her. The brochures, already late because of so many changes, had only been sent out in September. Who else could have told him — Hugo? Lionel? Perhaps unthinkingly Marcus could have said something to Helen. She’d heard Rannaldini was enraged that the RSO had snapped Julian up, but that wouldn’t have given him enough time. Either way she’d been left with Egmont on her face.

THIRTY-EIGHT


As a result of Gwynneth’s revelations, Megagram pulled the plug on Abby. Serena Westwood had been singularly uncharmed by her peremptory behaviour throughout dinner and she and Megagram had no desire to record obscure repertoire they had been led to believe was exclusive, in competition with the mighty Rannaldini and Harefield.

George and Miles were equally uncharmed to be lumbered with a Fanny Mendelssohn and Winifred Trapp series with no recordings to back it up. Viking’s new nickname, ‘Poverty Trapp’, proved to be prophetic. At the first concert, there were more people on the platform than in the audience.